Engage your audience with this new creative look. FX9 creates an immersive image with a wide-angle look and shallower depth of field provided by its full-frame sensor in combination with quick and slow motion. *ISO 800 and ISO 4000 are used in S-Log3, Cine EI mode.Ĭhoose your desired frame rate from 1fps up to 180fps* for impressive quick- and slow-motion footage. Combining Dual Base ISO with the camera’s electronic variable ND Filter provides superb creative control in almost any shooting environment, with truly next-generation responsiveness to changing conditions. Low-light scenes can be shot using High Base and 4000 ISO with near identical image quality to Low Base and 800 ISO. The FX9 with its secondary High Base ISO of 4000* excels in low-light conditions without adding extra gain. Its low base sensitivity of ISO 800* is similar to most other digital cinema cameras offering an excellent balance between dynamic range and sensitivity for most normal types of production. While a typical camera has a single base ISO, carefully chosen to provide the optimum settings for a wide range of shooting scenarios, the FX9’s dual ISO function offers far greater flexibility. Read our full Sony FE 85mm f1.Digital imaging sensors perform best at their base ISO as no unnecessary gain (voltage) is added to the sensor’s output. The quality of bokeh doesn’t match that of the f/1.4 G-Master lens but it’s nevertheless very dreamy, and remains smooth when reducing the aperture a little. Indeed, there’s virtually nothing to be gained in sharpness by stopping down to f/2.8. Handling is refined, build quality is impressive and image quality is excellent in all respects: center-sharpness is absolutely outstanding, even when shooting wide-open, and it remains highly impressive right out to the extreme corners of the frame. It's only about a third of the cost and less than half the weight of its f/1.4 G-Master stablemate, so it lightens the load for handheld shooting and is much easier on your bank balance. Sony does make a premium FE 85mm f1.4 G Master lens, but it's very expensive and too much for the modest A7C, which is why we recommend the Sony FE 85mm f1.8 for this camera instead. Read our full Sony FE 50mm f/1.4 GM review. However, few which share quite the same size and weight, lightning-fast autofocus, and solid moisture-resistant construction that this lens offers. Unfortunately, the downside is the lens is expensive when compared to similar rivals, with much cheaper third-party glass out there that will achieve similar visual results. If you don't need the extra aperture stop, or the added size, weight, or considerable cost of the FE 50mm f/1.2 GM, then the Sony FE 50mm f/1.4 will serve you perfectly. The 50mm perspective offers a very versatile focal length, and it is definitely a lens that can be left on your camera for a moment's notice. With only a small falloff towards the edges of the frame and some vignetting wide open, this lens gets almost full marks. The Sony FE 50mm f/1.4 is the lens that is most suited to most Sony shooters, impressively light and compact, but not compromising one bit on optical quality, this lens is almost perfect when it comes to sharpness in the center.
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